Examples of the the word, foreground , in a Sentence Context
The word ( foreground ), is the 13125 most frequently used in English word vocabulary
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- Kane is the extended use of deep focus. In nearly every scene in the film,the, foreground , background and everything in between are all in sharp focus. This was done by
- Was shot first, with the background dark. Then the background was lit,the, foreground ,darkened, the film rewound, and the scene re-shot with the background action.
- For example, if photographing a cityscape with a traffic bollard in the, foreground , this approach, termed the object field method by Berliner, would recommend
- Looks at minute distortions of galaxies observed in vast galaxy surveys due to, foreground ,objects through statistical analyses. By examining the apparent shear
- And stopping down to make the bollard sharp enough. With this approach, foreground ,objects cannot always be made perfectly sharp, but the loss of sharpness in
- Harmony and brings a strong rhythmic groove of electric bass and drums to the, foreground , Funk songs are often based on an extended vamp on a single chord
- And f-number N according to: b = \franc N \franc \, The minus sign applies to a, foreground ,object, and the plus sign applies to a background object. The blur increases
- The Jacobins. The picture was meant to be massive in scale; the figures in the, foreground ,were meant to be life-sized portraits of the counterparts, including
- Decreases with focal length. For a given scene, the positions of the subject, foreground , and background usually are fixed, and the distance between subject and the
- Or background is at distance D, let the distance between the subject and the, foreground ,or background be indicated by: x_\math rm d = \left | D - s \right | \, The
- The 1920s art critic Roberto Long hi brought Caravaggio's name once more to the, foreground , and placed him in the European tradition:" Rivera, Vermeer,La Tour and
- Determine how unsharp those parts will be. The amount of background (or, foreground ,) blur depends on the distance from the plane of focus, so if a background is
- The time of the Arian controversies, and dogmatic questions came into the, foreground , Christianity at last found recognition by the State; and this brought new
- And background are usually fixed, and the distance between subject and the, foreground ,or background remains constant regardless of the camera position; however, too
- Atmospheric haze, and cause the eye to focus primarily on objects drawn in the, foreground , Artistry The composition of the image is an important element in producing an
- Must vary if the focal length is changed. For small distance between the, foreground ,or background detail, the effect of focal length is small; for large distance
- They rush toward the viewer. In Skating Manet shows a well-dressed woman in the, foreground , while others skate behind her. Always there is the sense of active urban life
- Of an old Flemish picture, humanity lively and amusing and loveable in the, foreground ,and nature magnificent beyond. " James Grey, writing in the St. Louis Dispatch
- A single output pixel. Consider three pixels; and * α, the opacity value of the, foreground ,pixel. (α 1 for opaque foreground , α 0 for a completely transparent foreground
- It is in closeup in the foreground . The shot was an in-camera matte shot. The, foreground ,was shot first, with the background dark. Then the background was lit, the
- In 40x24 character mode) were also possible. The video card also supported 16, foreground , and 16 background colors per character, by providing one byte per character
- The B-modes will be extremely difficult, particularly given that the degree of, foreground ,contamination is unknown, and the weak gravitational lending signal mixes the
- Later analyses have pointed out that these are the modes most susceptible to, foreground ,contamination from synchrotron, dust,and free-free emission, and from
- 256 glyphs from one of the IBM PC code pages (Code page 437 by default),16, foreground , colors,8 background colors, and a flash option. Such art can be loaded into
- Summer Olympics. On the obverse of the coin a modern athlete is seen in the, foreground ,in a half-turned position, while in the background an ancient discus thrower
- Position (2K) of" color ram ". One nibble of such a byte then controlled the, foreground ,color, and the other nibble controlled the background color, a system very
- Or a disadvantage, depending on the desired effect. For the same amount of, foreground ,and background blur, a small-format camera requires a smaller f-number and
- A given subject magnification, f-number,and distance from the subject of the, foreground ,or background detail, the degree of detail blur varies with the lens focal
- Not all, American film-makers followed their example, calling it the“ American, foreground ,”, while European film-makers stayed with the“ French foreground ” established
- DOF. In practice, the lens f-number is usually adjusted until the background or, foreground ,is acceptably blurred, often without direct concern for the DOF. Sometimes
- DOF may be more effective, emphasizing the subject while de-emphasizing the, foreground ,and background. In cinematography, a large DOF is often called deep focus, and
- Pixels; and * α, the opacity value of the foreground pixel. (α 1 for opaque, foreground , α 0 for a completely transparent foreground ). A monochrome raster image where
- 51) have taken the opposite position, maintaining that slight sharpness in, foreground ,objects is usually more disturbing than slight sharpness in distant parts of
- With the distance to the background. A similar relationship holds for the, foreground ,; the general expression for a refocused object at distance D is: b = \franc
- Is: b \approx \franc \, depending only on focal length. The blur diameter of, foreground ,details is very large if the details are close to the lens. The magnification
- Often used throughout his films. Split focus shots are used to emphasize the, foreground ,person/object while simultaneously keeping a background person/object in focus.
- Segment joining two points on a curve * Chord (astronomy),a line crossing a, foreground ,astronomical object during an occupation which gives an indication of the
- In terms of subject distance, : b = \franc \franc, with the minus sign used for, foreground ,objects and the plus sign used for background objects. For a relatively distant
- Of Anchal waterfront with Hong Kong Convention and Exhibition Center in the, foreground ,and Central Plaza behind it, August 2005 image: Central Pier 9. JPG|A view of
- The same. Foreground and background blur If a subject is at distance s and the, foreground ,or background is at distance D, let the distance between the subject and the
- Distance, modern apartment buildings are seen. This arrangement compresses the, foreground ,into a narrow focus. The traditional convention of deep space is ignored.
- With the minus sign, the derivative is everywhere negative, so that for a, foreground ,object, the blur disk size decreases with focal length. The magnification of
- On the photographic plate he developed showed Frances behind a bush in the, foreground , on which four fairies appeared to be dancing. Knowing his daughter's artistic
- Compositing operation is to combine the images such that A appears in the, foreground ,and B appears in the background. This can be expressed as A over B. In addition
- Foreground pixel. (α 1 for opaque foreground , α 0 for a completely transparent, foreground ,). A monochrome raster image where the pixel values are to be interpreted as
- B = \franc \franc \, For a given scene, the distance between the subject and a, foreground ,or background object is usually fixed; let that distance be represented by:
- Chars (8×8 pixels, or 4×8 in multicolor mode); 4-bit color RAM defines, foreground ,color **Bitmap modes: 320×200 (2 unique colors in each 8×8 pixel block)
- Length. For a background detail, the blur increases with focal length; for a, foreground ,detail, the blur decreases with focal length. For a given scene, the positions
- However, the blues wave that brought artists such as Muddy Waters to the, foreground ,had stopped. Bluesmen such as Big Bill Bronze and Willie Dixon started looking
- The medicine bottle and a glass with a spoon in it are in closeup in the, foreground , The shot was an in-camera matte shot. The foreground was shot first, with the
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