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Examples of the the word, bpm , in a Sentence Context

The word ( bpm ), is the 13806 most frequently used in English word vocabulary

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  1. Sometimes with a slackening of tempo *Vivace — lively and fast, over 140, bpm , ( which generally indicates a fast movement) Terms for change in tempo
  2. House music to UK Garage),and Jungle music generally ranges between 150-180, bpm , Entrance is almost exclusively produced at 145 BPM, whereas Speed core and
  3. The genre is characterized by fast break beats (typically between 160–180, bpm , occasional variation is noted in older compositions),with heavy bass and
  4. Recently exerted themselves. The typical resting heart rate in adults is 60-90, bpm , with rates below 60 bpm referred to as bradycardia, and rates above 100 bpm
  5. Their highly produced break beat, jungle and drum & bass records at around 70, bpm , which resulted in the creation of dubstep. The more experimental releases of
  6. Of bodily stimulating drugs is more apparent. Full on usually has higher, bpm ,than other entrance. The most easily recognizable element of full-on
  7. At 145 BPM, whereas Speed core and Grabber music both frequently exceed 180, bpm , Extreme BPM More extreme BPMs are achievable at the same underlying tempo with
  8. To as tachycardia. Conditioned athletes often have resting heart rates below 60, bpm , with values of below 40 bpm not unheard of. For instance, cyclist Lance
  9. Sometimes in 3 points. Rhythm Music suitable for dancing ranges from about 150, bpm , ( beats per minute) to around 250 bpm , although most dancing is done to music
  10. Shag is a six-count partner dance done mostly to moderate tempo music (100-150, bpm , ). During the dance the upper body and hips hardly move as the legs do
  11. Of heartbeats per unit of time, typically expressed as beats per minute (, bpm ,). Heart rate can vary as the body's need to absorb oxygen and excrete carbon
  12. Musical styles, such as swing. Music is typically between 108 and 160, bpm , Experienced rivers occasionally dance to music outside those broad constraints
  13. The term" splittercore" is usually used for speed core tracks of 500-900, bpm , The term" extratone" is used for tracks with over 1000 bpm ; though the
  14. Bpm, with rates below 60 bpm referred to as bradycardia, and rates above 100, bpm , referred to as tachycardia. Conditioned athletes often have resting heart rates
  15. Fast; 15 to 45 Measures per Minute, ideally at 32 Measures per Minute (15x4 60, bpm , 32x4 128 bpm ,45x4=180 bpm ). In writing about West Coast Swing, Skippy Blair
  16. 250 bpm , although most dancing is done to music somewhere between 160–220, bpm , Every Salsa composition involves complex African percussion based around the
  17. Without increasing the tempo of the music. House music is faster around 120-128, bpm , ( from regular house music to UK Garage),and Jungle music generally ranges
  18. Whereas the comparatively fast speed of jungle and drum and bass (160-180, bpm , ) may have restricted the utility of these subgenres to DJs playing
  19. Athletes often have resting heart rates below 60 bpm , with values of below 40, bpm , not unheard of. For instance, cyclist Lance Armstrong has been known to have
  20. It is usually faster than most other dance music genres, at roughly 145 to 170, bpm , and sometimes features pornographic lyrics. As DJ Godfather puts it," the
  21. Of drum and bass. The earliest forms of drum and bass clocked in at around 130, bpm , in 1990/1991,speeding up to around 155–165 BPM by 1993. Since around 1996
  22. Of good autonomic tone. Sinus bradycardia is a sinus rhythm of less than 60, bpm , It is a common condition found in both healthy individuals and those who are
  23. Tracks of 500-900 bpm . The term" extratone" is used for tracks with over 1000, bpm , ; though the usefulness of this distinction is debatable due to the capacity of
  24. Of grabber. They focused again on speed, with tracks normally go over 200, bpm , Subgenres have developed where scenes exhibit certain musical traits and are
  25. More advanced dancers will dance the non-traditional (slow) treble jig at 73, bpm , Notes Bibliography * Baskerville, Charles Read. The Elizabethan Jig. 1929. *
  26. Slow) treble jigs. Beginners will do a treble jig at traditional speed (92, bpm , ),while more advanced dancers will dance the non-traditional (slow) treble
  27. Measures per Minute, ideally at 32 Measures per Minute (15x4 60 bpm ,32x4 128, bpm , 45x4=180 bpm ). In writing about West Coast Swing, Skippy Blair advises that
  28. Beat this event occurs on. To find this, they use the following equation, where, bpm , is beats per minute, sp is the sync point in real-time (i.e. 33.7 seconds)
  29. Minute, ideally at 32 Measures per Minute (15x4 60 bpm ,32x4 128 bpm ,45x4=180, bpm , ). In writing about West Coast Swing, Skippy Blair advises that," The only
  30. House. * Speed core - A faster type of grabber and hardcore usually in the 300, bpm , or higher range. * Splittercore - The term" splittercore" is usually used for
  31. A mellow, moonwalking 90 beats per minute ... down to a positively torpid 67, bpm , " The group also drew inspiration from concept albums in various genres by
  32. Samples and synthesized melodies with the typical tempo ranging from 150 to 220, bpm , Violence, drugs and profanity are common themes in grabber, perceptible through
  33. 8–10 Hz,480-600 bpm ) or slower than 1 per 1.5 – 2 seconds (0.6-0.5 Hz,40-30, bpm , ). Too fast a beat becomes a drone, too slow a succession of sounds seems
  34. The back, just behind the head, and the average heart rate is approximately 180, bpm , under normal conditions. Mafia, like many animals, are prone to alcohol
  35. Later breaks-based music. This sound is characterized by slower tempos (80-110, bpm , ) and organic," human" rhythms. It is sometimes differentiated by the term "
  36. Features an MC who recites dancehall-style lyrics The fast tempos (150 to 170, bpm , ) break beats, other heavily syncopated percussive loops, samples and
  37. As a musical beat if it is faster than 8-10 per second (8–10 Hz,480-600, bpm , ) or slower than 1 per 1.5 – 2 seconds (0.6-0.5 Hz,40-30 bpm ). Too fast a
  38. The typical resting heart rate in adults is 60-90 bpm , with rates below 60, bpm , referred to as bradycardia, and rates above 100 bpm referred to as tachycardia.
  39. Faster, as the" perfect" modern Western square dance tempo is 120–128, bpm , At this speed dancers take one step per beat of the music. Other comparisons
  40. Circumstance. *Adagio — slow and stately (literally," at ease" ) (66–76, bpm , ) *Allegretto — moderately fast (but less so than allegro) *Vivace — lively
  41. Per minute during much of the attempt, rising to one hundred and twenty-four, bpm ,in the fifteenth minute. This faster heart rate increases oxygen consumption
  42. Moderately fast (but less so than allegro) *Vivace — lively and fast (≈140, bpm , ) (quicker than allegro) Additional Terms: *A pillar — the performer may use
  43. For dancing ranges from about 150 bpm (beats per minute) to around 250, bpm , although most dancing is done to music somewhere between 160–220 bpm . Every
  44. Musical tempo (the difference between a tempo of 60 beats per minute and 61, bpm , is perceived as a much larger difference than between 200 bpm and 201 bpm ). "
  45. Dance-music standards it is mid-tempo, generally ranging between 118 and 135, bpm , Tempos tended to be slower in the early years of house. The common element of
  46. Met in the middle, and most grabber today is produced in a range of 160-180, bpm , This is typically a little slower than the Rotterdam style of the
  47. Wave, approximately 1/30-1/10,000 second (30-10,000 Hz or more than 1,800, bpm , ). These, though rhythmic in nature, are not perceived as separate events but
  48. Armstrong has been known to have resting heart rates to as low as around 32, bpm , cyclist Miguel Injuries had a resting heart rate of 28 bpm . The low pulse in
  49. Event * Heart rate (HR),a measure of the number of heart beats per minute (, bpm ,) * Hertzsprung–Russell diagram (H-R diagram or HRD, also known as a
  50. Upwards, with so-called" hyper blasts" existing in the range of 250-280, bpm , ( or even higher). There is also the" gravity blast ", not to be confused

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